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That fact, like Wood himself, came out later, and you can bet the reverend would not have received that recognition had his commanding officers known he was gay. He also showed that a gay soldier could fight bravely and earn his country’s highest honors, which is what Wood did during World War II after sustaining two life-threatening injuries in Italy. And he stated emphatically that gay people could, in fact, be valuable churchgoing members of the community before that sort of conduct was fashionable. He wrote books about gay issues and used his real name before gay people wrote books and used their real names. Wood marched in 1965 in Washington, D.C., and Philadelphia to raise awareness about gay persecution before gay people marched. If you want a short list of leaders who rocked the boat during the 1960s and ’70s and forced society to address the issue of equal rights, put Wood’s name near the top, next to people like King and Steinem. He was living at Havenwood-Heritage Heights retirement community. Wood, who moved to Concord 30 years ago from New York City, died Aug. “None of us would be where we are now if not for people like Bob Wood.” “He was advocating for gay marriage in the early ’60s,” Rejean Blanchette of Deerfield told me before a recent podcast at the Monitor. Robert Wood thinking nearly 60 years ago, when homosexuality was viewed as a mental disorder and gay people lived in the shadows? His partner of over 26 years, American abstract artist Hugh M. He was among the first clergymen to advocate for same-sex marriage. He wrote "Christ and the Homosexual" (1960), which helped begin the dialogue between organized religion and the GLBT community. Robert Wood began speaking and writing for gay causes shortly after his ordination in 1951. Coulter, his partner of 26 years, are shown in 1972 at a friend’s house on Long Island, N.Y., celebrating their 10th anniversary together. Robert Wood, who died this week at age 95, was a giant within the gay rights community 50 and 60 years ago, a man of God who dared fight for gay marriage anti-discrimination laws long before society was ready. Wood five years ago and now live in Deerfield. Rejean Blanchette (left) and Bob Paradis, who were married by Rev.
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Robert Wood, shown in 2014, was a giant in the gay rights community in the 1960s and ’70s. Robert Wood five years ago and now live in Deerfield.
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Tambay Obenson contributed to this story.ABOVE: Rejean Blanchette (left) and Bob Paradis were married by The Rev. Below, we look back at the history of unsimulated sex scenes at Cannes - from the arcane to the more arthouse-accessible like Gaspar Noé and Lars von Trier and, of course, Vincent Gallo’s infamous “Brown Bunny” oral sex scene.
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But Cannes most years, as you’ll see below, has at least a few sex scandals of its own. This year’s festival was heavier on horrors of the body (“Crimes of the Future,” “De Humani Corporis Fabrica’) than its pleasures (though Claire Denis’ “Stars at Noon” brought some steam to the Croisette). Kechiche had a slightly warmer reception in 2013, when the simulated but realistic acts in “Blue” helped power it, and leads Adèle Exarchopoulos and Léa Seydoux, all the way to the Palme. The film has never been seen stateside and remains the subject of ongoing legal entanglements due to Kechiche’s treatment of lead actress Ophélie Bau, who claimed he denied her permission to see the film’s most graphic scene prior to the premiere. distributors when, in 2019, he released his nearly four-hour-long sequel “Mektoub, My Love: Intermezzo,” a graphic and some felt blatantly misogynist epic of young people having all the sex in the world. Most recently, “Blue Is the Warmest Colour” director Abdellatif Kechiche effectively made himself persona non grata among U.S. Editor’s Note: This story was originally published in May 2019 and has been updated accordingly.Ĭannes has a history of premiering sexually explicit films throughout its history - and with all manner of unsimulated acts - to both shocks and shrugs on the Croisette.Īn avant-garde film like Yugoslavian director Dušan Makavejev’s brilliantly sex-crazed bonanza “Sweet Movie” likely didn’t swallow well with American audiences treated to its insanities, from coprophilia to vomit play, but it’s gone on to attract a cult following.